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Themen | 006/2023 (25.04.2023)
  • THE TIES THAT BIND
    Trouble, it seems, finally found THE NATIONAL. Existential bouts of writer’s block, insecurity and depression – exacerbated during the darkest days of the pandemic – called into question the band’s very future. Could they overcome their anxieties and find new ways to reconnect with each other? Would their often tense relationships survive? With a brilliant new album due for release this month, they tell Laura Barton, “Sometimes this intensely intimate relationship feels like a riddle that nobody can solve.”
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Themen | 007/2023 (31.05.2023)
  • AtoZ
    This month…
  • PLACE TO BE
    Forty-eight years on from his untimely death, the tragic myth of NICK DRAKE persists. But there is another Nick Drake: the spirited and untroubled young man, on the cusp of a bright future, who travelled to Europe and North Africa in pursuit of adventure and honed his skills along the way. Here, Drake’s school friends, fellow travelers and assorted eyewitnesses relive the freewheeling times — from playing folk clubs in Aix-en-Provence to an audience with the Stones in Marrakesh. “It was absolutely central to Nick becoming Nick Drake,” one close confidant tells Nick Hasted. “It opened his eyes to a lot of things…”
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Themen | 009/2023 (28.07.2023)
  • Everybody Cares, Everybody Understands
    The first few months of 1998 were a critical time for ELLIOTT SMITH. A major record label, a new batch of songs and an unexpected Oscar nomination promised much – but as Paul Rees discovers, the additional pressures that came with this newfound level of fame began to take their toll on the shy, introverted singer-songwriter: “It was the beginning of the end.”
  • KUSCHTY RYE
    Mod, mystic, vagabond, songwriter… Friends and bandmates celebrate the many (ace) faces of RONNIE LANE, from superstardom with the Small Faces and Faces to ragged roots hootenannies, spiritual enlightenment and beyond. “Ronnie was an extraordinary guy,” Pete Townshend tells Rob Hughes. “He had his own space which he was going to occupy, musically, and he never deviated from it.”
Inhaltsverzeichnis
Themen | 010/2023 (29.08.2023)
  • AtoZ
    This month…
  • WAY DOWN IN THE HOLE
    It is the summer of 1982, and TOM WAITS is engaged in the dark arts of sonic derailment…
  • ‘‘I had to break up the band’’
    When DAVID BOWIE took the Ziggy Stardust tour to Hammersmith Odeon for the final time on July 3, 1973, the fans came in their thousands. They came with makeup and dyed red hair, boys dressed as girls and girls dressed as aliens…
Inhaltsverzeichnis
Themen | 011/2023 (26.09.2023)
  • “Let’s not use the word ‘genius’, let’s not talk about that stuff…”
    After decades in limbo, THE WHO’s abandoned Life House project is finally seeing the light of day – as part of a mammoth boxset along with its successor, Who’s Next. But as he attempts to unravel the complex relationship between this legendary lost album and the band’s unalloyed masterpiece, PETE TOWNSHEND also has other things to consider. Not least, what’s next for him and his surviving bandmate, Roger Daltrey: “I don’t have a unique vision for The Who going forward,” he reveals to Rob Hughes
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In der aktuellen Ausgabe von Uncut (UK)

  • Free as a bird
    A new photobook captures the rip-roaring spirit of Lynyrd Skynyrd in their prime
  • The ballad of John and May
    John Lennon’s ‘lost weekend’ was actually a productive time for him, both professionally and personally. Companion May Pang tells it from her side
  • Listen, listen
    A tranche of recently discovered Sandy Denny lyrics have inspired a new album by Carla Fuchs
  • Drum club
    Post-punk the psychedelic, gospel choir pounders Lol Tolhurst and Budgie team up with Jacknife Lee and big-name pals for electro-rock odyssey
  • Setting
    Cosmic improv folk that flows like the river Eno
  • KRISTIN HERSH
    The Throwing Muses supremo talks wild swimming, Stipe’s surprise duet and how she found her Clear Pond Road
  • NEW ALBUMS
    Jack Cooper gets his head together in the country.
  • SUFJAN STEVENS
    Spirituality, self-doubt and a Neil Young cover on Sufjan’s latest.
  • EMMA ANDERSON
    Lush songwriter finally takes centre-stage.
  • ANIMAL COLLECTIVE
    Avey Tare: “A sweet, live-in-the-room sound”
  • ROBERT FINLEY
    Late-blooming Southern troubadour’s bawdy, swamp-infused fourth.
  • ISRAEL NASH
    Relocated New Yorker takes a trip into heartland rock
  • THE FEELIES
    Bill Million on their live tribute to an Underground legend
  • THE GASLIGHT ANTHEM
    Nine years after Get Hurt, normal service is resumed.
  • DANIEL VILLARREAL
    Second from the polymath Panamanian drummer, in a trio.
  • Archive
    The punk-pop outfit’s Tommy Ramone-produced fourth, overhauled and expanded.
  • JONI MITCHELL
    Glorious collection of outtakes, demos and live tracks explore Mitchell’s continued musical and emotional journey.
  • HAWKWIND
    Legendary live double receives extensive boxset treatment.
  • SARAH DAVACHI
    Composer’s archive renders beauty and variety.
  • MARTIAN HIGHS
    How to buy Mouse On Mars
  • VARIOUS ARTISTS
    Vintage no-fi black psych from the funkiest, fuzziest corners of the crates
  • DENNIS BOVELL
    Oft-extraordinary London dub from the Matumbi axis
  • FABLES OF THE RECONSTRUCTION
    Once again defying sonic expectations, WILCO return with a new album rich in experimental, art-rock flourishes. But, as JEFF TWEEDY explains, the path to Cousin proved challenging as they re-evaluated and rebuilt the entire record in the company of guest producer Cate Le Bon. Here Tweedy explains how methodology, autobiography and falling in love with albums that “aren’t easy” continue to shape Wilco as they reach their third decade. “The challenge gets bigger every year for sure,” he tells Michael Bonner
  • “Wilco with a different lighting director”
    Cate Le Bon on producing Cousin
  • “It takes a long time to reinvent the wheel”
    Nels Cline reflects on Wilco’s most recent 10 years
  • CRAIC ADDICTS
    The rabble-rousing antics and do-it-yourself spirit of THE MARY WALLOPERS have brought a raucous power to traditional Irish music not seen since the heyday of The Pogues. Uncut gets the Guinness in and hears how they’ve gone from lockdown livestreams to festival favourites, tapping into the political power of folk, punk and hip-hop. “We’re not preachy,” they tell Tom Pinnock. “You don’t need to be a miserable cunt, you can have fun with it.”
  • IMMACULATE CONCOCTION
    The story behind the Wallopers’ signature tune “Cod Liver Oil & The Orange Juice”
  • Crime & The City Solution
    Tracing the tracks of Simon Bonney’s ever-evolving, continent-hopping band
  • Higher Powers
    A prodigy of Sun Ra and John Coltrane, PHAROAH SANDERS merged jazz and spiritualism to forge a transcendent new sound. With Pharoah’s ground-breaking, self-titled 1977 album reissued this month, John Lewis explores its creator’s master plan. “There was always a touch of the Biblical prophet about Pharoah,” reveals one eyewitness. “The spirit seemed to radiate through every note he played.”
  • PHAROAH GOES DISCO!
    1978’s ill-advised dalliance with slick R&B
  • MOTOR ON
    Over 30 years since their debut A Catholic Education, TEENAGE FANCLUB continue to refine their brand of timeless songwriting. But with a new album due – the brilliant Nothing Lasts Forever – the band convene in a Glasgow rehearsal room to reveal the secrets of their longevity. “You’ve got to try things that don’t work,” hears Alastair McKay
  • JOIN OUR CLUBS
    Extracurricular highlights
  • GUIDING LIGHT
    Blake and McGinley’s most treasured records
  • Total Control by The Motels
    How the LA new wavers turned a “very fast, very angry” thrash into an enduring slice of yearning minimalism
  • To Kingdom Come
    ROBBIE ROBERTSON helped change the course of music – twice. First, as Bob Dylan’s sidekick on his legendary 1966 world tour and again as songwriter and guitarist for The Band. It was as their guiding spirit that he conjured a mythic and timeless vision of American music whose influence endures to this day. “His passing,” wrote Dylan, “leaves a vacancy in the world.” Here, Richard Williams pays tribute to a remarkable body of work – and its complex creator. On p89, meanwhile, VAN MORRISON recalls his enduring friendship with Robertson: “We were from the old school.”
  • “There was no stress…”
    Photographer ELLIOTT LANDY on documenting The Band
  • “We used to talk on the phone all the time”
    Van Morrison recalls a collaborator and previous neighbour
  • “Let’s not use the word ‘genius’, let’s not talk about that stuff…”
    After decades in limbo, THE WHO’s abandoned Life House project is finally seeing the light of day – as part of a mammoth boxset along with its successor, Who’s Next. But as he attempts to unravel the complex relationship between this legendary lost album and the band’s unalloyed masterpiece, PETE TOWNSHEND also has other things to consider. Not least, what’s next for him and his surviving bandmate, Roger Daltrey: “I don’t have a unique vision for The Who going forward,” he reveals to Rob Hughes
  • “I WAS BLOWN AWAY”
    Glyn Johns on recording Who’s Next
  • “IT STRUCK A CHORD”
    David Arbus on “Baba O’Riley”
  • “IT SPOKE TO PEOPLE”
    Ethan Russell on shooting the album cover
  • DEVO
    Are we not elder statesmen? Postmodern synth-punks whip it one last time
  • ARTHUR VEROCAI
    Brazilian maestro revisits his much-cherished 1972 album with a full orchestra
  • FILMS
    Last orders for Loach’s socially aware oeuvre?; when small investors took on Wall Street; children of the revolution reunited…
  • LOST ANGEL: THE GENIUS OF JUDEE SILL
    An unsung heroine’s under-documented life story benefits from a creative retelling
  • Not Fade Away
    Fondly remembered this month…
  • Feedback
    Email letters@uncut.co.uk. Or tweet us at twitter.com/uncutmagazine
  • Crossword
    One vinyl copy of Modern Nature’s No Fixed Point In Space
  • Will Sergeant
    Echo & The Bunnymen’s guitarist reveals his distinctly un-punk inspirations: “What can I say, I love prog rock!”